My central concern is the moment when life manifests in the world, collides with space,
and instigates irreversible transformation.For me, the shout, beat, breath, and reflex are not tools for expression but primary life-signals that ignite prior to meaning.
I route these signals from the Body OS into a sequential series of layers—
involving electrical conversion, frequency decomposition, contact modulation,
and the generation of temporal structures—thereby opening a passage for a stronger form of life to descend as an "intruder" .
However, this circuit does not exist solely to act upon the world.
It is simultaneously a mechanism through which the body itself absorbs subtle signals,
updates its structure, and transitions into new sensory strata.With every refinement of the Body OS, the contours of the world assume an altered shape.
This change, in turn, provokes an even stronger life-force.
My practice constitutes a recursive phenomenon in which the world and the body mutually push against and expand each other’s layered structures.
The pressure of life is extended into electrical currents, vibrations, and spatial density.
This process generates tension in the surrounding space, establishing a zone of friction where life and the world press back against one another.I term this irreversible generation the " ritual ".
The ritual is the site where the structure of the world and the structure of the body are transformed simultaneously, revealing a new order that cannot revert to either of the prior configurations.
I do not intend to produce mere sounds or voices.
When life is laid bare, shaking the space and carving its aftermath onto the bodies present within it, the world begins to reorganize subtly, yet demonstrably.
I create works to generate a life-intensity so profound that the world is forced to accept change, to witness the moment that life invades and a new world begins to stir.
This generation simultaneously updates my own Body OS,
continually holding open the threshold to the next layer of the world.